Fly Tracks Entertainment

Dee-1 on Reverbnation.com!

2009-03-25T00:12:00.000-07:00

G. Love & Special Sauce + Eric Hutchinson @ Tipitina's Uptown: February 18th, 2009

2009-02-12T13:10:00.000-08:00

Event Info

Host: Tipitina's

Start Time: Wednesday, February 18, 2009 at 9:30pm
End Time: Thursday, February 19, 2009 at 3:00am
Location: Tipitina's Uptown

Street: 501 Napoleon Ave. NOLA 70115
Phone: 5048918477
Email: www.tipitinas.com

Tipitina's has a reputation for bringing some of the best nationally touring acts to New Orleans, and this year, the Tipitina's Mardi Gras Line Up is no different. Representing Philadelphia with his funk-blues inspired acoustic jams, G. Love is a classic laid back rocker with a hint of a hip-hop flavor. In recent years, G. Love has developed strong musical relationships with artists like Jack Johnson and Donavon Frankenreiter. The show kicks off the Wednesday night before a long Mardi Gras week, setting the tone for concert filled weekend at Tipitinas. Check out G. Love's live version of "Rodeo Clowns" with Jack Johnson (below).

And if G. Love isn't enough to get you excited, then Eric Hutchinson certainly is another reason to come check out this concert. Singing with the swagger and skill of a young Jason Mraz, and having laid his claim to fame with a series of popular youtube videos, Eric Hutchinson brings the term "Acoustic Soul" to a whole new level. As the story goes, one of Eric's high school friends sent an email to Perez Hilton with some of his music, which Hilton then posted on his popular blog, helping Hutchinson jump up to the top 10 on iTunes next to Kanye West. Check out one of Eric Hutchinson's youtube videos below...

Hip-Hop for Hope 2008: "Rebirth" by Dee 1 ft. Rebirth Brass Band

2008-11-07T10:36:00.000-08:00

Tickets for Hip-Hop for Hope 2008 are on sale now! www.tipitinas.com

Hip-Hop for Hope 2008: "Change" by Raw Dizzy ft. Cupid

2008-10-27T19:37:00.000-07:00

Tickets for Hip-Hop for Hope 2008 are on sale now! www.tipitinas.com

Hip-Hop for Hope 2008: November 8th @ Tipitina's Uptown

2008-10-16T13:47:00.000-07:00

3rd Annual New Orleans Hip-Hop for Hope @ Tipitina's Uptown,11/8/08!
Tickets for Hip-Hop for Hope 2008 are on sale now! www.tipitinas.com

Tickets for Hip-Hop for Hope 2008 are on sale now! www.tipitinas.com

New Orleans Student-Driven Community Music Coalition Announces 3rd Annual “Hip-Hop for Hope Benefit Concert”

October 14, 2008 – New Orleans, LA - On Saturday, November 8th, 2008, a coalition of students, community leaders and music industry professionals, in partnership with organizations at Tulane University and New Orleans Upward Bound, will host the 3rd annual "New Orleans Hip-Hop for Hope Benefit Concert".

What: The 3rd Annual “Hip-Hop for Hope Benefit Concert: A Fundraiser for Upward Bound will feature some of the most popular Hip-Hop artists and D.J.s from New Orleans and beyond. This event will feature expressions of hip-hop culture in the form of MC's, DJ's, break dancing performances by the Royal Flush Dance Crew and live graffiti art. All proceeds go towards educational programming through Upward Bound in New Orleans. The event is open to the public and all are invited to come participate in what will surely be an extraordinary experience and a positive beacon of hope for the greater New Orleans community. Producers include New Orleans Hip-Hop for Hope www.hiphopforhope.org, HereWeGo Entertainment (www.herewegoent.com), and Tipitina's Uptown www.tipitinas.com
When: Saturday, November 8, 2008 9 p.m. – 2 a.m.

Where: Tipitina’s Uptown
501 Napoleon Ave.
New Orleans, LA 70115
Office: (504) 895-8477
Admission is $10, ages 18 and up.
Tickets for Hip-Hop for Hope 2008 are on sale now! www.tipitinas.com

Who: 2008 Artist Line-Up includes...

Raw Dizzy
DJ Raj Smoove
Rebirth Brass Band
Truth Universal w/ One Eye & DJ EF Cuttin
Know One & Kevin O'Day Present Hip-Hop Alive!
Nutt Da Kid
The Show
Dee 1
Sess 4-5
Cypher
Jimi Clever
J-Dubble
Big Dyce
Royal Flush Dance Crew
And Special Guests

For more information about Hip-Hop for Hope 2008, visit our website: www.hiphopforhope.org

T.I. Makes History!!!!!!!

2008-10-09T21:29:00.000-07:00

Few in the game have a rap sheet like rapper, Clifford “T.I.” Harris. The rapper, songwriter and actor has become an entity within the Hip Hop realm unto himself.

With Paper Trail [click to read] in stores, the focus hasn’t really been on T.I. – the artist – but more so, Clifford Harris – the man.

Embroiled in a highly publicly legal issue, the 28-year-old self proclaimed “king of the South” has a lot to deal with. Heavy the head that wears the crown they say. HipHopDX sits down exclusively with T.I.P. at Atlantic Records as he discusses his newest project, waves off a history of trouble with Ludacris and hints at a possible collaboration with Jay-Z for The Blueprint 3.

HipHopDX: You always have a good fashion sense about yourself. What do you like to wear more – the clean cut look with the nice pocket or jeans, sneakers and a fitted cap?
T.I.: It all depends on the occasion, the event, what’s going on and my mood. Right now, I’m just cool, calm and casual. I’m really feeling my Jordan Retro’s – I forgot what number they are – they might be the 12's. They came out in ’94.

DX: Your song “Louis Rag” with Swizz Beatz got a lot of play in the clubs amidst all the hype of your case. What is it about “Louis Rag” that makes you feel that that was the right track to put out there.
T.I.: It’s just a party record, man. I want everyone to feel good, relax and have a enjoyable time. Me and Swizz [click to read] linked up to crank the clubs up, period… There’s no serious message behind it. It’s just a record to motivate and uplift the party. “Louis Rag” is something that you can play primetime in a club at 2:30, you know what I’m saying. Everyone pull they rags out they belt loop and if you’re anything like me, you keep your rag in your belt loop – and they’d swing they rag in the club and go nuts.

DX: How was it to go back to writing down lyrics after going off the top for a few albums?
T.I.: It wasn’t hard at all… It’s actually one of the easiest decisions to make. It was an easy transition to go back to writing. I could do it, actually, either way… It just depends on the track and how I feel. It’d be a way to catch the beat and I’ll go either way. I think that on the next album, I’ll do both – half of it off the top and the other half written and let the people judge for themselves. It’s two different sounds to doing that, of course, songs like “Top Back” [click to read], “What You Know (About That)” [click to read] that type of sound – I’ll go off the dome. But for that “I’m Serious” [click to read], “No Matter What” [click to listen] type of sound, then I start writing it down.

DX: It’s good to see you back with DJ Toomp, man. People felt that that one album where you weren’t together that he was sorely missed…
T.I.: Yeah, man… it was just the one album [without each other]. I mean we always family and always gone be it, so it was like… you know… it couldn’t be a reunited thing ‘cause we were never separated. We worked together on T.I. vs. T.I.P. [click to read], it’s just that the work that we did when we worked together, didn’t make the album.

DX: A lot of people would be surprised that you and Ludacris linked up to do a track for his new album. How’d that come together…?
T.I.: It was really simple – we agreed to do a record together. For real, me and Chris [click to read] ain’t never had no real issues between one another, ya dig? We never had a conversation that couldn’t be cleared up. We’ve had conversations where we most definitely had to get some things squared away. He had my number for quite some time and I his, so some times we’ll call each other every now and again to chop it up, unbeknownst to you – the public – of course. But you know everyone has issues. I consider dude, if nothing else, very worthy competition and I’ve never hated on dude, I ain’t never been a hater and never will be. So, since there’s no issue, there isn’t no problem and we ain’t got no beef. There’s no reason why we can’t be able to or why we shouldn’t be able to come together and make music.

DX: As a competitor in the game – do you think that you’re putting out your best work to date, yet?
T.I.: It ain’t my job to judge the music, it’s my job to make the music. I mean… I like all my music, but I wouldn’t make nothing that I wouldn’t like. But I’m going to give it to the people to make their own opinion and assessments. I’m going to let my work speak for itself. I play to win and you know everyone else is going to try to play their cards, well… when I play my hand, I play to win and don’t care what anyone else thinks.
DX: This may seem kind of stale, but a lot of people are still looking at fellow Khaled All-Star, Rick Ross, with the leery eye. Do you think that beef with T.I. isn’t what it seems and do you believe that Rick can come back from such an incident?
T.I.: None of my issues are ever WWE inspired. At the end of the day, with Ross [click to read], it’s none of their business. Real talk, I don’t care… We being stars! And with us being stars that means we put out a record for people to listen to. We put out movies for people to watch it. I mean that to say that you don’t need to know everything about our lives. Matter of fact, you’re not supposed to know anything about our lives because we stars… you supposed to know less about a star, then you do about a normal person. No one ever dug around [1930s villain actor] James Cagney’s closet to find any skeletons. You can’t rate or judge a person for what he or she has been through until one has sat through it or heard the other one say it.

DX: You had your trial and your sentencing are appreciative of the support you’ve received in the mainstream and from the regular folks?
T.I.: I really appreciate it and I know that they wish the best for me. I concur with them wholeheartedly. I wish better for myself, but now… I ain’t got the wish. I just got to make the necessary adjustments.

DX: When does the countdown show run?
T.I.: The show…? Smart guy… It’ll be on TV around the first quarter of the year sometime. We’re still filming, did a few episodes, most of them being in Los Angeles, quite a few in Atlanta. I can’t really tell you what to watch out for, just watch the show, baby…

DX: You’ve done quite a few songs with Just Blaze now – can you talk about the song “Live Your Life”…?
T.I.: Just Blaze did “Live Your Life” and it’s features Rihanna and the song is just talking about what we were just speaking on – how people think that just because you’re a celebrity that they should be so involved in your life. I’m like – well, you can cut your TVs on – and you’re in my world. The rest is just entertainment for you; I’m actually living it. I’m doing the things that you scared to death of doing, surviving the things that you think you’ll never through. So, it’s my life, the entertainer, you know I assumed the position and accept the responsibility of, you know, living through the things that you couldn’t probably make it through in order for you to be thoroughly entertained.

DX: Joe Budden kind of mentioned it by saying that he understood why you needed to get some ratchet. Can anyone understand this game that you’re in?
T.I.: I mean… In order to understand my thinking – and even though it was poor judgment – it was bad decision and to understand my train of thought, you’ll have to live my life and experience my danger. Live through certain situations and circumstances that I have and ask me how you feel. You got to put yourself in my shoes. You can’t think with your mind, being in your situation, about what you would do. You got to think as though you were in my situation and then ask yourself what you would do.

DX: So what advice would you give you the kids on the street who are feeling the crunch during this rough financial crisis we’re going through?
T.I.: I’d tell them straight up and down that I ain’t the last person out there who got guns. It’s other people out there who definitely got guns. Someone can be breaking into your house, right now. You ain’t gonna find out until you see the light, baby. It’s all the same thing, you know… clear and present danger. You need to be aware of that before you get yourself involved in something that could cost you your life or your freedom and they don’t wanna know that first hand.

DX: On “Whatever You Like,” fam… you switched it up a little. You’re not going full-on Ja Rule, are you?
T.I.: A full-on Ja Rule [click to read]… [Laughs] Man, I’ma do whatever my heart desires. Wherever my creativity leads me is where my artistic expression leads me to do. I’m not finna intentionally do something or not intentionally do something. I’ma do whatever is necessary to make some music.

DX: How was house arrest?
T.I.: It was house arrest. I’m blessed. I was able to be around my family and my children. I was able to go in my refrigerator, watch my TV, drive my car around the neighborhood and live my life before I go in the box.

DX: You and Jay-Z have a lot of similarities and are the king’s of your respective crafts. Would you and him ever do a song for Blueprint 3?
T.I.: I don’t know… that’s a good question, man. It would depend on the song, on what kind of song it is. If he gets that record like a “[Dirt Off Your] Shoulder” [click to listen] then I’d probably come off the top of the dome. Whereas, if he gives me a record like “Renegade” [click to read] – that Eminem joint – then I’d probably write things down. In the end though, it’d be classic whatever myself and Hova [click to read] cook up.

http://www.hiphopdx.com/index/features/id.1232/title.t-i-serious-as-ever/p.2

Soul Capital, Flow Tribe & My Name is John Michael: Live at the Howlin Wolf- September 13th, 2008

2008-09-09T16:57:00.000-07:00

FLOW TRIBE, MY NAME IS JOHN MICHAEL & SOUL CAPITAL!

Saturday, September 13, 2008 at 9:30 pm

Location:
The Howlin Wolf
828 South Peters
New Orleans, LA

Come see the Best Live College Bands in the City!

This is one show you don’t want to miss! Come find out why the city is buzzing over these up and coming artists. Whether you like funk, hip-hop or alternative, there is something in it for everyone! Look to get there early as DJ Miles Felix will be spinning on the 1's and 2's to start off the show. You might even get lucky and catch the drink special...

These bands are showing a lot of promise and definitely deserve a look and a listen. With original music, inventive concepts and energetic live shows, Flow Tribe, Soul Capital and My Name is John Michael have already won over a large part of the New Orleans college crowd. Now they are just waiting to take it to the next level...

www.mynameisjohnmichael.com
www.myspace.com/flowtribe
www.myspace.com/soulcapital

Mos Def to Headline Benefit Concert for Black August @ Tipitina's: August 28th, 2008

2008-08-27T00:08:00.000-07:00

Tipitina's has a knack for surprising the city with legendary, once in a lifetime shows... This one is a perfect example. While Tipitina's is a venue not especially known for Hip-Hop music (aside from the annual Hip-Hop for Hope Benefit Concert and the occasional visit from the likes of Galactic, Charlie Tuna, Atmosphere, Devin the Dude, and others), it has the undeniable potential for anything legendary and unforgettable.

This Benefit Concert for the Black August movement represents a continued shift in New Orleans when it comes to the underground hip-hop scene here in the city. The support for this type of music has grown, despite the population drop after the storm, and benefit concerts of this nature continue to remind all of the true hip-hop heads in New Orleans that change is possible.

The line up promises for a diverse, yet collectively moving series of performances. The headliner, Mos Def, has been a strong advocate for the people of New Orleans after the storm. Immediately following Hurricane Katrina, Mos Def recorded the song "Katrina Clap", which was an emotionally charged remix of the classic Juvenile track, "Nolia Clap". Right after the Jena 6 protests, Mos traveled around with the young and talented crew of 2-Cent Entertainment, who showed him some of the devastation from the storm that has yet to be addressed. Mos gave heartfelt interviews on camera for 2-Cent's television show, but as impressive as his passionate opinions and beliefs were in the interview, I was most impressed with the fact that he was such a real and genuine person to actually care enough about the issues to come down and see New Orleans for himself.

Aside from the overwhelming excitement surround Mos' headlining spot, the rest of the line up is one you won't want to miss. Def Jam Poetry veteran, and New Orleans resident, Sunni Patterson will be performing some of her work. Sunni's work as a spoken-word artist and activist in the city has earned her the respect of many within the hip-hop and poetry community alike.

New Orleans most respected veteran underground artist, Truth Universal, will be a great addition to the night. His most recent album release, "Self-Determination", earned a positive review in the Source Magazine last month, and has most definitely helped bring much-deserved but long overdue attention his way.

Before all of that happens, you don't want to miss the performances by Sess 4-5, Gabrilla Ballard & Elleguae. Sess 4-5 is an icon for the streets of New Orleans, having recently opened up his record store, Nothing But Fire Records. Sess's work with the store and his success with his monthly music industry conference with DJ Wild Wayne has only served to solidify his place as a major contributor to the hip-hop community of New Orleans. And what of his music? ....Nothing But Fire.

Don't miss this once in a lifetime concert, Thursday August 28th, 2008 at Tipitina's Uptown. Buy your tickets now! This one is going to sell out fast. This Black August concert has been all around the world, including Cuba and countries in Africa and beyond. It is rare that New Orleans gets this type of event for the underground community, but I am glad to see that people like Mos Def havn't forgotten about us. I will see you there!

T.I. "Paper Trail" In Stores 9.30.08

2008-08-21T19:40:00.000-07:00

GRAND HUSTLE DAY IS COMING TO THE STREETS SOON! 9.30.08

TI, the King, Dropping the New Album "Paper Trail" on 9.30.08

And of course, Grand Hustle Day wouldn't be complete without BIG KUNTRY KING, dropping his new album "My Turn to Eat".

IT'S BIG KUNTRY KING'S "TURN TO EAT"
07.14.08

Grand Hustle/Atlantic recording artist Big Kuntry King has announced early details of his much anticipated new album, MY TURN TO EAT. The collection – which features the single, "Da Baddest (Feat. Trey Songz)" – drops into stores and all digital retailers on September 9th.

"Da Baddest" Video premiered on Wednesday, July 16th on Allhiphop.com. The clip sees the ATL-based rapper joined by a star-studded roster of guests, including Songz, T.I., Young Dro, B.o.B, Fantasia, DJ Drama, and Maino. Produced by Shawty Red (Snoop Dogg, Young Jeezy), "Da Baddest" mp3 is available now at the Atlantic Records Store for $0.99.
(www.atlanticrecords.com/bigkuntry)

Pretty Ricky Interview with DJ Mike Swift on 102.9

2008-08-14T17:15:00.000-07:00

Bump Soul Capital on TheSixtyOne.com!

2008-07-08T21:49:00.001-07:00

Flytracks Crew on theSixtyOne.Com... Check out featured Songs from the New Mixtape!

2008-07-02T23:41:00.001-07:00

CHECK OUT DIZZY AKA RAW D.I.'s NEW VIDEO!!!!!!!

2008-07-02T13:12:00.000-07:00

CAN'T SIT STILL

THE NEW ALBUM "ON THE INSIDE LOOKING OUT" COMING SOON!!!!!!!!!

WWW.RAWDIZZY.COM
MYSPACE.COM/DIZZYAKARAWDI
WWW.PCOENT.COM
P.C.O. ENTERTAINMENT

Maino 'Hi Hater' Featured as the Fader Freeload

2008-06-29T19:58:00.001-07:00

Freeload: Maino "Hi Hater"

It's been a particularly rough few years for the three then-rising stars of F35's New York Rap feature. Stack Bundles was killed last June, Papoose got dropped from his million-dollar major label deal (and has been making more noise with his prison nupitals than with any actual music as of late), and Maino—our personal favorite of the bunch—has simply been AWOL, emerging every so often with a signing rumor or internet banger only to sink back into the fog of BK rap anonymity just as quickly. So you can imagine our collective elation to hear Maino over a classic Jimmy Spicer breakbeat on his new single "Hi Hater." Yes, an actual single! On the radio! It hit NYC airwaves last week at the same moment as our long-delayed springtime, and the backstory can't help but make "Hi Hater" feel even more triumphant. "You see me!" You're gotdamn right we do.

http://www.thefader.com/articles/2008/5/1/freeload-maino-hi-hater

Raw Dizzy- Music Now Available on ReverbNation.com

2008-06-17T19:48:00.000-07:00

THE URBAN EDGE AT POTLUCK: 6/7/08 Audio Conference Comes to New Orleans

2008-05-23T15:22:00.000-07:00

THE URBAN EDGE AT POTLUCK: June 7th, 2008

The PotLuck Audio Conference--formerly TapeOpCon--returns to New Orleans June 6-8 at the Sheraton (500 Canal St.). This week, the Producers and Engineers wing of the Recording Academy announced that it will sponsor "The Urban Edge" as a part of the conference. Saturday, June 7, there will be a series of sessions focusing on contemporary R&B and hip-hop. "Exploring Hustle & Flow: Urban Hip-Hop in Film-Making" will feature speakers Scott Bomar (film score composer and music director) and Slice Tee (who remixed tracks for Hustle & Flow). "In Their Own Words: Urban and Hip-Hop Producers Discuss Their Craft" will be moderated by Dan Workman (Beyoncé, Destiny's Child, Lyle Lovett, and ZZ Top) with panelists Kapone, Billy Hume (Ludacris, Lil Jon and the East Side Boyz, Will Smith), Ralph Sutton (Elton John, Justin Timberlake, Stevie Wonder), Carlton Lynn (Aretha Franklin, Leona Lewis, Usher, TLC), Jimmy Douglass (Timbaland's main engineer), and Raj Smoove, who is best known for his work with Cash Money Records and Lil' Wayne. Registration for the Urban Edge panels is $20 at the Sheraton. For more information, contact the Recording Academy's Memphis Chapter at (901)-525-1340 or email memphis@grammy.com. Special registration rates for the conference are available for students, groups, Louisiana residents and returning attendees. Check the PotLuck Web site for details.

http://www.blog.potluckcon.com/

Rolling Stone: "Breaking Artist to Watch: Estelle"

2008-05-14T16:56:00.001-07:00

Breaking Artist to Watch: Estelle
November 21, 2007 12:34 PM

WHO Talk about a self-made star: British singer-rapper Estelle spent her childhood "flipping secular music to gospel" with her eight siblings. "We'd take Brandy's 'Best Friend' and make it about God being your best friend," says the twenty-seven-year-old West London native, born Estelle Swaray. Years later, she took a job at a London record shop frequented by stars like Talib Kweli, and started making her own rap albums. But local labels were baffled by her unique style. "That's been the story of my career," Estelle says, sighing. " 'We don't know what to do with you because it's not been done before.' So I just do it myself."

SOUND Estelle started a label, released mix tapes and approached a pre-College Dropout Kanye West cold after spotting him outside Roscoe's House of Chicken 'n Waffles in Los Angeles. Kanye hooked her up with John Legend, and the two R&B singers hit it off at a studio the next day, and later collaborated on The 18th Day, her debut full-length, which got play nearly everywhere but the States. Together, Legend and Estelle also prepped her forthcoming album, Shine, the first release on Legend's Homeschool Records. Kanye, Mark Ronson, Swizz Beatz and Cee-Lo make cameos on the disc, which swings with the boogie funk of "American Boy" and reggae-rooted tracks like "Magnificent."

REMINDS ME OF . . . When Estelle jumps from singing the hook of the Will.i.am-produced soul-hop single, "Wait a Minute (Just a Touch)," into a laid-back but feisty rap, it's nearly impossible not to mouth the words "Lauryn Hill" — even Wyclef Jean says Estelle's an artistic dead ringer for the Fugee. But Legend says his protégé holds her own creatively. "I think because she's West African and West Indian and British, that unique blend comes through in the eclectic nature of the album," he says.

Cementing that point, Estelle reveals, "Freddie Mercury is my dude, and I loved Guns n' Roses, Aerosmith and Duran Duran." And if that sounds like a strange combination of influences to you, she doesn't really mind. "Love me or hate me, who gives a damn?" she says with a laugh. "I'm a real chick."

>> Watch every episode of our weekly New Breaking Artist video podcast by subscribing via iTunes (when prompted, click "Launch application"). Every Wednesday, an exclusive video profile of an emerging artist will be delivered to your iTunes. [If you don't have iTunes, download it here.]

http://www.rollingstone.com/blogs/breaking/2007/11/breaking-artist-to-watch-estel.php

T.I. "No Matter What" Video and Lyrics

2008-05-14T16:46:00.003-07:00

LYRICS
Never have you seen in ya lifetime
a more divine southern rapper with a swagga like mine
Facin all kinda time but smile like I'm fine
brag with such passion and shine without tryin
believe me, pains a small thing to a giant
I was born without a dime, out the gutter i climbed
Spoke my mind and didn't stutter one time
Ali said even the greatest gotta suffer sometime
so i huff and puff rhymes, lyrics so sick wit it
set the standards in Atlanta to get get get it
so you up and coming rappers wanna diss, just kill it
I'm officially the realest, point blank, period
whether i still live in the hood or just visit
Whatever you can do in the hood i done did it
that's why the dope boys and the misfits feel it
this still the city long as tip live it, listen

I ain't dead (nah) I ain't done(nah)
i ain't scared(of what), I ain't run(from what)
still I stand (yeah)
no matter what VA here I am
I ain't break(never), I ain't fold(never)
they hate me more(so?)
yeah I know
but there I go
no matter what shortie, here I go
no matter what shortie
You let the blog sites and the magazines tell it
I'm showed to b jail until 2027
rather see me in the cell then
instead of this new McLaruen
God will take you to hell, just to get you to heaven
so even tho it's heavy, the load i will carry
?grands is still buried, wayen is still sharin?
apologies to the fans, i hope you can understand it
like a change in direction, even when you ain't planned it
All you can do it handle it, worst thing you can do is panic
Use it to your advantage, avoid insanity matters
to conquer, every obstacle, make impossible possible
Even when winning illogical, losing is still far from optional
yeah they wanna see you shot up in the hospital
but, one life like punches, block the counter like a boxer do
been locked inside this casa too long, i did a song
to make it known that the king lives on

I ain't dead (nah) I ain't done(nah)
I ain't scared(of what), I ain't run(from what)
still I stand (yeah)
no matter what VA here I am
I ain't break(never), I ain't fold(never)
they hate me more(so?)
yeah I know
but there I go
no matter what shortie, here I go
no matter what shortie

Even the solitude, that still know how to do
i show you how to do, what you do, you ain't gotta clue
all you do is follow dudes, sound like a lotta dudes
ill weather whatever storm, make it out without a bruise
I understand why, now when my hands tied
They take shots cause if I'm out it's a landslide
but revenge is best served as a cold dish
and suckas will get served better know this
guess it was understood, for me it was over with
but i don't quit, if you ain't noticed yet
they couldn't wait to say goodnight shorty
so they can try to rhyme, act and look like shorty
go get a beat from toomp, and make a hook like shorty
before ya know it I'm back what it look like shorty
I lost my partner and my daughter in the same year
somehow I rise above my problems and remain here
yeah, and I hope the picture painted clear
if your hearts fill with faith then you cant fear
wonder how i face years and I'm still chillin
[732 stand up]
easy, let go and let god deal with it, ya dig

I ain't dead (nah) I ain't done(nah)
I ain't scared(of what), I ain't run(from what)
still I stand (yeah)
No matter what VA here I am
i ain't break(never), I ain't fold(never)
they hate me more(so?)
yeah I know
but there I go
no matter what shortie, here I go
no matter what shortie

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DAMN!

Real Talk with PLIES #5 - Street Tides

2008-05-14T13:21:00.001-07:00

Tune in each week, as we bring you, the second installment of the PLIES "Real Talk" series. Get to know PLIES, as he shares his views on a range of topics including the NEW album, what it means to "Be Real," "Bust It Babies," and his brother, BIG GATES.

Check back in every Tuesday, through May 27th, for a new topic to be revealed.

Brought to you by your #1 Certified Goon!

Big Kuntry King Feat Trey Songz - Da Baddest (Grand Hustle)

2008-05-02T03:18:00.001-07:00

http://www.skylinemixtapes.com For More Hip Hop Like This - Big Kuntry King Feat Trey Songz - Da Baddest (Produced By Shawty Red)

Tracklisting

1. Big Kuntry King - Cops And Robbers
2. Big Kuntry King - Forgot 2 Put The Album Out (Prod. By Marvelous J)
3. Big Kuntry King - Da Unda Boss Speaks
4. Big Kuntry King - The Mobb (Prod. By Nard And B)
5. Big Kuntry King - How I Do (Feat. Macboney) (Prod. By Nard And B)
6. Big Kuntry King - Straight Thuggin' (Prod. By Nard And B)
7. Big Kuntry King - Steering Wheel (Prod. By Khao)
8. T.I. - Speaks
9. Big Kuntry King - I'ma G (Feat. T.I.) (Prod. By Nard And B)
10. Big Kuntry King - Anthem (Feat. B.G. And Twista) (Prod. By Nard And B)
11. Big Kuntry King - Crazy (Prod. By 2-Tall)
12. Big Kuntry King - Swagger (Feat. Shawty Lo) (Prod. By Nard And B)
13. Big Kuntry King - Da Unda Boss Speaks About New Single (Da Baddest)
14. Big Kuntry King - Da Baddest (Feat. Trey Songz)
15. Big Kuntry King - Sun-Glasses (Feat. Lil 3rd) (Prod. By Nard And B)
16. Big Kuntry King - Killing (Feat. Yung L.A.) (Prod. By Raz)
17. Haitian Fresh - Fast Lane (Feat. Big Kuntry And Rick Ross)
18. Dunk Ryders - Fuck Da Other Side (Remix)
19. Big Kuntry King - Da One (For The Ladies)
20. Big Kuntry King - Da One (Feat. Rashad) (Prod. By Black Mob Group)
21. Big Kuntry King - Mixtape Better Than Album (Interlude)
22. Big Kuntry King - How We Rocking (Prod. By Keith Mack)
23. Big Kuntry King - Gangsta Life (Feat. Governor) (Prod. By Khao)
24. Big Kuntry King - Give It Up (Prod. By Black Mob Group)
25. Big Kuntry King - Drugs Changed Everything (Outro)

Flo Rida Interview on ArtistDirect.com!

2008-05-02T02:57:00.001-07:00

Interview
Flo Rida
Thu, 20 Mar 2008 14:18:57

You knock on enough doors and eventually someone has to let you in. Flo Rida, the newest edition to Florida's rap high council, should know. Early in his career, he came out to Los Angeles without a contact to call on and ended up traversing the city, hitting up record labels for a chance to audition on the spot. No one wanted to hear him at the time, but that didn't mean he was going to keep quiet.

After years of perseverance, Atlantic Records finally cracked the door an inch, and he took the opportunity to kick it wide open with his monster first single, "Low." The song, featuring hit-machine T-Pain, spent 11 weeks atop the Billboard 100, and set a new record for digital downloads in a week with over 417,000 copies sold. We sat down with the rapper as his debut album, Mail On Sunday, hit shelves to the delight of fans everywhere. He talked to us about his dirty days hyping for 2 Live Crew, his insatiable drive to succeed and how you can't leave your bags unguarded in a place like Beverly Hills.

The single "Low" is everywhere, even setting records on iTunes. How are you feeling about the success?

I feel really unbelievable right now, like I’m dreaming. With all the grinding that I put in and the hard work, I expected something to happen, but I didn’t know it would be to this magnitude.

Some rappers will never see numbers like you’ve got, and this is just your first outing. That’s crazy.

It’s a blessing, and I thank God for it everyday.

This definitely isn’t an overnight success story. You’ve definitely been on your grind for a while. I read that you used to run with 2 Live Crew back in the day. What was that like, and how old were you?

That was a situation where my group Groundhogz opened up for Scarface, and someone who was down with Fresh Kid Ice saw me perform. They were going over to Hawaii and they needed a hype man, so that was one of my first big gigs. From that point one, he would call me to hype for them on tours.

What were those tours like? I can only imagine.

I’d be up there and the ladies would damn near be trying to perform oral sex on me [laughs]. It was crazy, man.

Sounds crazy to me. When did you first link up with Groundhogz?

When I was around 8th, going into the 9th grade. I had another dude I was rapping with at the time but he went off to college. I got with Groundhogz cause a couple of us were working on the same projects. So one day, I just auditioned for them and they made me part of the family. From that point on we’ve been doing our thing.

You moved out to California at one point in your career. What prompted that move?

My first time out to Cali was me chasing the Hollywood dream. I went out there to the Beverly Center thinking that no one would take my bag off of the bus bench, cause it was Beverly Hills. Thing was, the police confiscated the bag cause they thought it was a bomb. Then I went over to Death Row, but they weren’t taking auditions at the time. So I went to different record labels out there, and ended up being on the streets for a couple of days. But the second time I went to LA, it was a situation where one of the guys in my group was cousins with a guitar player in the Blind Boys of Alabama. He knew Devante, so we got a demo together and he gave it to Devante when they were writing together. Devante loved the demo and called me one day when I was at home just writing on the couch. He was like, “I want you to come out here. I love your music, and I want to sign you.” The next day, I went out there and I stayed for three years with him. With Devante’s work ethic and his creativity, I learned a lot of things from him. When I came down to Miami to get a deal, it was a situation where my manager said that different A&Rs were coming in the building for Rick Ross, but heard my stuff and wanted to put a face with my demo. At first I was hesitant to leave Cali cause I thought I was close to getting a deal out there, but I came back home and four months later I had a deal with Atlantic.

It’s not a guarantee that you’ll ever make it in this business. Was you’re family always 100% behind you?

Most definitely.

What is it down in Miami that’s got it popping off with so many artists right now?
What you do in the dark, has to come to the light. We’ve been grinding the whole time, it’s just that one person got to shine, and we let it carry on from there. We call it "the movement." We’re just showing each other love and continuing to be creative artists.

I talked to Pitbull a little while back and he said the same thing about the Florida movement. Everybody just gives each other props.

You get out what you put in, and love is stronger than hate. You feel me?

Your flow definitely has a lot of harmony to it. How did you develop your style?

Growing up, my Dad sang, and played different instruments. My sister had a little gospel group too. I can’t sing, but I know how to harmonize. I might rhyme a little hard, but I still put that melodic feel behind it. I’ve been inspired by people like Marvin Gaye and Aretha Franklin. Plus rappers like Nelly and Andre 3000. I’m trying to bring every element to my music, so I’ll have a universal feel.

Speaking of artists that inspired you, don’t you have a Jimmy Hendrix tattoo on your arm?
Yeah. My brother listened to dudes like Otis Redding and Jimmy Hendrix. Jimmy stood out to me—the way he played the guitar left-handed. With my music, I wanted it to come from left field and still have people understand it. Plus, he burned guitars, so I try to be very entertaining when I’m on stage. His whole persona just stood out to me. I didn’t really want to get tattoos, than one day when I decided it was time, I wanted to get something very creative that was clever.

Who did you get a chance with to work with on the album?

We’ve got Timbaland for the next single. Weezy, Yung Joc, Rick Ross the Boss are on it too. It’s gonna be a classic album!

That’s some serious heat backing you up. Anything you want to say to the fans?

I want to say thanks to the fans for making me #1 in all the categories that I am. Without them it wouldn’t be possible.

—Chas Reynolds
03.20.08

source: http://www.artistdirect.com/nad/news/article/0,,4608421,00.html

**************************************************************
NEW FLO RIDA VIDEO feat. Will.i.am & Fergie - In The Ayer [OFFICIAL]

PLIES "Who's Hotter" Official Video

2008-05-02T02:39:00.001-07:00

PLIES NEW ALBUM "DEFINITION OF REAL" IN STORES 6/10/08!!!!

www.atlanticrecords504.blogspot.com

Estelle Review on AllHipHop.com!

2008-04-28T20:28:00.001-07:00

By Jonathan Reyes

It’s John Legend’s protégé! In the context of music today, some might say it took him a little long to give all-due shine to Estelle, who co-wrote on Once Again.

English-native Estelle can now join the English-female artist invasion that was headed by Winehouse and Lily Allen.

The buzz around Estelle revolved heavily on Lauryn Hill comparisons because of her rapping/singing abilities. With the dropping of Shine, the comparison can come to a screeching halt.

Less Lauryn Hill and more Lily Allen singing and of Natalie Stewart (former Floetry member) rapping can sum up the vocal familiarity in Estelle.

Shine has on board the typical array of writers, producers and features you would expect from a new artist with strong backing. Kanye West features on “American Boy” throwing raps over a disco-beat that was a musical track called “Impatient” on Will.I.Am’s solo project.

With a little creativity and signature, Estelle made it into her debut single, and what many know her for. Never has a foreign artist’s commitment to woo us Americans been so unconcealed – “…take me to NY, I’d love to see LA.”

Grammy winning John Legend co-writes 9 out of 12 tracks, makes a couple of audible backing vocals, and a feature with “You Are.” You guessed right, a love song. You wouldn’t be able to guess other wise if it weren’t for the lyrics.

It’s difficult to get any feeling from the songs, as Estelle’s infliction only leads you to believe that she’s singing. It’s still a sultry combination as Estelle and Legend’s tones intertwine coolly.

As the flagship artist for John Legend’s label “Old School Records” Estelle dabbles into very familiar sounds, like the neo-soul “Back In Love” with speak-sing vocals that sound like Jilly from Philly.

“In The Rain” plays with a sample loop that may take you back to last year on Lily Allen’s debut album. If you listen closely, both Lily and Estelle could sing that track. What happened? No duet?

Estelle covers pop/R&B, Hip-Hop, and reggae ground and swings it out of the park when the focus is on reggae.

The Supa Dups produced “Come Over,” the Mark Ronson produced “Magnificent,” “More Than Friends” and “No Substitute Love” (sampling George Michael’s 1988 hit “Faith”) really carves out Estelle’s uniqueness– and the fact that she might have just made an album for the 2008 summer season.

Ultimately, it’s all very English pop with a tad bit of Caribbean zest. For that, kudos are in order for an original combination.

Estelle: Shine Album Review
Published Monday, April 28, 2008 9:00 AM

Web Link:
http://allhiphop.com/stories/alternativesreviews/archive/2008/04/28/19698233.aspx

ESTELLE'S ALBUM, "SHINE", IN STORES APRIL 29TH!!!

DJ MIles Felix: FlyTracks Underground

2008-03-21T23:20:00.000-07:00

About Miles:

Activities:
~Soul Capital
~FlyTracks Crew
~South Pa' Music
~DJ @ the Palms
Broadway & Freret,
New Orleans, LA
~Drums/Piano in the
Keep Moving Project

Interests:
Music/ Soul Capital
DJ, Producer, Drums,
Percussion, Piano
WWW.REVERBNATION.COM/SOULCAPITAL

Favorite Music:
Hip-Hop, Funk, Reggae, Jazz

Favorite Artists:
Nas, 2Pac, Notorious B.I.G., Guru, Dr. Dre, Snoop Dogg, The Roots, X-Ecutionors, DJ Premier, Gangstarr, Devin the Dude, Jay-Z, MF DOOM, Camp Lo, CunninLynguists, De La Soul, Black Moon, Mobb Deep, Soul Capital, Busta Rhymes, Eminem, Nate Dogg, Jadakiss, Styles P, The LOX, Dipset, Toots and the Maytals, Nappy Roots, Atmosphere, Jurassic 5, Chali 2na, Scarface, Wyclef, Xzibit, 9th Wonder, Buckshot, 40 Cal, The Game, A Tribe Called Quest, Aesop Rock, Afroman, Afu Ra, Baby Blak, Beatnuts, Outkast, Andre 3000, Big Boi, Big L, Big Pun, Black Eyed Peas, Bob Marley, Boot Camp Clik, Brother Ali, Buju Banton, Boom Shaka, Beenie Man, Bumpy Knuckles, Freddy Foxx, Cali Agents, Planet Asia, Cee-Lo, Bone Thungs-n-Harmony, Cassidy, Ludacris, Pharrell, Timbaland, T.I., Sizzla, Wu-Tang Clan, Ghostface Killah, Ghostface Killah, Inspectah Deck, Masta Killa, Method Man, Ol' Dirty Bastard, Raekwon The Chef, RZA, U-God, Capone-n-Noreaga, Coolio, C-Rayz Walz, Cut Chemist, DJ Danger Mouse, Collie Budz, Art Blakey, Miles Davis, Wynton Marsalis, Ellis Marsalis, Max Roach, Madlib, J Dilla, Jaylib, Danger Doom, AZ, B.G., Baba Alade, Beat Conductor, Burning Spear, Quasimoto, MOP, O.C., Big Shug, Black Star, Mos Def, Talib Kweli, Peter Tosh, Diamond D, Dead Prez, The Beat Junkies, J-Live, Kid Capri, Pete Rock, INI, People Under The Stairs, Hieroglyphics, Dilated Peoples, Grand Puba, Sadat X, Jimmy Cliff, Bunny Wailer

Favorite Movies:

scarface
deja vu
usual suspects
HIP-HOP 4 HOPE

Favorite Quotes:

“One good thing about music, when it hits- you feel no pain”
Bob Marley

"I live by the beat like you live check to check
If you don't move yo' foot then I don't eat, so we like neck to neck"
-Andre 3000

“So as sure as the sun will shine,.
I'm gonna get my share now of what's mine
And then the harder they come the harder they'll fall, one and all.”
Jimmy Cliff

"“I know it seems hard sometimes but remember one thing.
Through every dark night, theres a bright day after that.
So no matter how hard it get, stick your chest out, keep ya head up.... and handle it.”
2pac

Equipment Used:

Korg KONTROL49 Midi Studio Controller
Reason
Pro Tools
Fruity Loops
Audacity
Stanton T-120C Turntables
Denon DN-X-100 Mixer

Website:

http://www.soundclick.com/mfelix42

The New School of Hip-Hop: A Fusion of Funk, Jazz and Lyricism

2008-03-20T09:17:00.000-07:00

FOR IMMEDIATE RELEASE:

Ben Brubaker

FlyTracks Crew/ Tipitina’s Uptown

Tel: (504) 895-8477 
Fax: (504) 891-7996

southpamusic@gmail.com

www.tipitinas.com

The New School of Hip-Hop: A Fusion of Funk, Jazz and Lyricism

New Orleans, LA, March 19th — On Saturday, April 5th, 2008, Tipitina’s Uptown is proud to present Kevin O’Day’s HIP-HOP ALIVE! With MC Know One and the Able Chris. The event will also feature music from Jealous Monk, with special guest, Kirk Joseph of the Dirty Dozen Brass Band. The young up and coming band, Floopy Head, will be opening up the show with their jazz inspired hip-hop, while DJ Miles “the Professor” Felix will be spinning music all night. Jealous Monk was recently awarded “Best Live Hip-Hop Act in New Orleans”, second only to Lil’ Wayne. Floopy Head has recently emerged on the scene as one of the hottest new live hip-hop bands in New Orleans, and many describe them as “the new ‘Roots’ of New Orleans”, in reference to the popular Philadelphia based hip-hop band, the Roots. The band is comprised of young, talented musicians, ranging from ages 15 to 19, all with a passion for Jazz and Hip-Hop. Kevin O’Day is headlining the show, contributing his veteran experience in the New Orleans Music scene, and putting his skills to use in the realm of hip-hop. His act, HIP-HOP ALIVE! has recently performed at Le Bon Temps with DJ Quickie Mart, Know One and the Able Chris, and now he is taking the music scene to school with an all-out hip-hop fusion ofJazz and Funk. DJ Miles Felix of the hip-hop group, "Soul Capital" will be spinning music all night while the group's lyricist, Ben Brubaker, will be the M.C. for the night. Tipitina’s is the perfect setting for the seasoned jazz and funk crowd to get out and see a different side of hip-hop, as well as a new outlet for the younger hip hop crowd. With a sound that can bridge generational gaps and still make your feet move, this new fusion between jazz and hip hop is THE next hot thing. Tickets are $10 general admission and $7 with a Student Discount.

Kevin O’Day’s Hip-Hop Alive! ft. Know One & the Able Chris, Jealous Monk ft. Kirk Joseph, Floopy Head and DJ Miles Felix @ Tipitina’s on Saturday, April 5th, 2008.

For additional information or tickets, Contact:

Ben Brubaker /// South Pa’ Promotions/ Tipitina’s Uptown /// Tel: (504) 895-8477 
Fax: (504) 891-7996 /// southpamusic@gmail.com /// www.tipitinas.com

# # # 

FlyTracks Crew and South Pa' Present: Kevin O'Day... Bio

2008-03-19T19:33:00.000-07:00

Picture: Kevin O'Day (drums), DJ Quickie Mart

by Jay Mazza

Courtesy of www.kevinoday.com

A two-year tenure with the New Orleans Klezmer Allstars, sitting in the drum chair that also was occupied by "Mean" Willie Green of the Neville Brothers and Stanton Moore of Galactic, gave O'Day a chance to hone his skills in a world music setting that belied its jazz sensibility.

Before long, the musically insatiable drummer was moving in another direction towards the funk and soulful jazz spawned by New Orleans drum icons like Joseph "Zigaboo" Modeliste and Idris Muhammad.

His long association with Swedish rocker-turned-acclaimed-songwriter Anders Osborne bloomed when Osborne reconfigured his band into a quartet and brought in Kirk Joseph, late of the Dirty Dozen Brass Band. Along with tenor man Tim Green, the band forged new roads in trance-inspiring performances further establishing O'Day's cred as a high-energy player who could communicate with top-flight musicians at the maximum level.

O'Day's relationship with Joseph, arguably the most important sousaphonist from New Orleans, produced an extremly funky group called Kirk Joseph's Backyard Groove with a CD entitled Sousafunk Ave.

Along the way, O'Day has lent his considerable chops to a huge array of performers. He was a member of the Kosmic Krewe- an eclectic jazz/funk band led by trumpeter Michael Ray of Kool and the Gang and the Sun Ra Orchestra. He has recorded and performed with All That, another innovative group that merged the second line beats of New Orleans with hip hop. He has also performed and recorded with the trombone collective Bonerama.

O'Day's deft touch on the drums is augmented by his deep knowledge of music of every variety. He is as comfortable on the stage at Snug Harbor- New Orleans' premier modern jazz club- as he is in gritty juke joints and watering holes. He gives his heart and soul to the music whether he is on a giant stage in front of thousands at the New Orleans Jazz and Heritage Festival or in a tiny club with only a handful of fans.

Kevin O'Day has been one of the leading lights on the New Orleans music scene for more than a decade. He is a charter member of the fertile Frenchmen Street scene and has worked with a literal who's who of the next generation of New Orleans musicians in addition to many of the luminaries who have already made their mark.

He is now prepared to take his career to the next level. His prowess as a drummer and his skills on the microphone continue to grow with each gig and each new association. He has soaked up his influences and experiences and distilled them down into an expressive personal style that is instantly recognizable and undeniably original. He is poised for a break-out. Get ready world, Kevin O' Day is coming.

SOUL CAPITAL:: Batltle of the Bands @ the HIGH GROUND 4/6/08

2008-03-13T12:43:00.000-07:00

"Dollars and Sense. Dollars and Change."

Host: GORILLA PRODUCTIONS
Type: Music/Arts - Concert

Start Time:
Sunday, April 6, 2008 at 4:00pm

End Time:
Monday, April 7, 2008 at 12:00am

Location:
The High Ground Venue

Street:
3612 Hessmer Ave
City/Town:
Metairie, LA

Come Support Soul Capital at the High Ground:

On Sunday, APRIL 6TH, Soul Capital (Miles Felix and Ben Brubaker) will be competing in a New Orleans "Battle of the Bands" at the High Ground in Metarie.

The winner, judged by crowd votes, will recieve a $500 cash prize, 20 hours in a professional recording studio, their music sent to one of 5 major record labels, and a headlining gig.

Soul Capital is all about "Dollars and Change"- Music that makes Sense- so Soul Capital has pledged that if they take home the grand prize they will donate the $500 to Hip-Hop for Hope 2008 (www.hiphopforhope.org) next November. Join the Soul Capital family!

BUY DISCOUNT ADVANCE TICKETS- $8

The more tickets Soul Capital sells the better options for preference in performance times!

There are less than 100 tickets left and admission at the door is $10.

Send a message to Miles Felix or Ben Brubaker, or email:

soulcapital@gmail.com

For information on purchasing tickets.

http://www.gorillaproductions.net

GORILLA PRODUCTIONS // 1940 WEST 45TH STREET - CLEVELAND, OHIO - 44102

New Gnarls Barkley video too crazy for MTV

2008-03-06T19:36:00.000-08:00

New Gnarls Barkley video too crazy for MTV

03/05/2008 4:00 AM, Reuters
Jonathan Cohen

The video for Gnarls Barkley's new single, "Run," may feature a cameo from Justin Timberlake, but it's still not quite ready to air on MTV.

That's because of its strobe effects, which caused the clip to fail the Harding Test -- guidelines established to prevent TV images from triggering epileptic seizures.

However, the video is available on various online outlets, and Gnarls Barkley member Danger Mouse was hopeful the situation could be resolved shortly.

"I don't know exactly what's going on, but we're having issues. I think (the video) is cool. It works for me. But I'm not necessarily that easily seasick," he told Billboard.com. "We can't predict how people are going to interpret it."

"Run" centers around the fictional public access TV show "City Vibin"' and is set in the early '90s. Timberlake appears as the host of the program, on which Danger Mouse and fellow Gnarls Barkley principal Cee-Lo then perform the track.

With its new album, "The Odd Couple," nearing its April 8 release date, Gnarls Barkley are about to shoot a video for the second single, "Who's Gonna Save My Soul."

The group is also rehearsing for summer tour dates, which include a July 27 show at Los Angeles' Hollywood Bowl and both U.S. and European festivals.

"We didn't plan last time to do a whole bunch, and we don't plan to do a whole bunch this time, but you just never know how it's going to feel until you go out there," Danger Mouse said.
--------------------

Atlantic Records: Artists' Video Updates!

2008-03-06T18:30:00.000-08:00

Estelle

BET's Rip The Runway aired 3/4

"American Boy" VH1.com premiere 2/25

"American Boy" premiere/walk on on MTV's Spankin' New Ladies Week 2/27

"American Boy" launch on MTV.com 2/28

"You Oughta Know" Artist on VH1 Soul

Flo Rida

MTV/MTVu's Spring Break tapes 3/12, airs week of 4/7

"Mail On Sunday" Leak on MTV.com launches 3/11

52 Bands promo tapes 3/4 and 3/5

BET's Rip The Runway aired 3/4

BET's Rip The Runway ALL Access launched 3/4 on BET.com

MTV Shades go up in times square 3/3

Gnarls Barkley

"Run" ADDED to MTV, VH1, FUSE, BETJ, VH1 SOUL

"Run" TRL Premiere 3/6

MTV News pieced aired 3/5

Featured article on MTV.com launched 3/5

"Run" MTV/VH1.com Premiere 2/29

MTV news Piece taped 2/29

Lupe Fiasco

"Superstar" ADDED to VH1!

MTV/MTVu's Spring Break tapes 3/12, airs week of 4/7

"Superstar" performance on 106th & Park 3/10

"Superstar" Hitting TRL Countdown (Peak #9)

"Superstar" Hitting 106th & Park (Peak #1)

Missy Elliott

BET's Rip The Runway aired 3/4

BET's Rip The Runway ALL Access launched 3/4 on BET.com

Trey Songz

BET's Rip The Runway aired 3/4

BET's Rip The Runway ALL Access launched 3/4 on BET.com

Webbie

"I Miss You" ADDED to BET!

BET's Rip The Runway aired 3/4

"Independent" 106th & Park performance aired 2/25

WEBBIE AOL PREMIERE OF I MISS YOU

2008-03-06T18:20:00.000-08:00

Check out this link for the new video!

WEBBIE: I MISS YOU VIDEO PREMIERE!

Flytracks Mixtape Video Teaser: Raw Dizzy in the Booth

2008-03-02T22:24:00.000-08:00

Soul Capital Music Player

2008-02-25T23:59:00.001-08:00

Soul Capital on Myspace.com

2008-02-25T02:22:00.000-08:00

Flo Rida Tour Dates and Appearances

2008-02-24T23:29:00.001-08:00

Flo Rida:

Flo Rida is coming through your area on a promotional tour for his new album, Mail on Sunday.

Popular Singles: Low ft. TPain, Elevator ft. Timbaland

Upcoming Shows
( view all )

Feb 24 2008
8:00P

WQUE

New Orleans, Louisiana

Feb 25 2008

8:00P

TBA

Baton Rouge, Louisiana

Feb 26 2008

8:00P

TBA

Houston, Texas

Feb 27 2008

8:00P

TBA

San Antonio, Texas

Feb 28 2008

8:00P

TBA

Austin, Texas

Feb 29 2008

8:00P

TBA

Dallas, Texas

Mar 1 2008

8:00P

TBA

Meridian, Mississippi

Mar 2 2008

8:00P

Dj Nasty’s Birthday Bash

Orlando, Florida

Mar 17 2008

8:00P

TBA

New York, New York

Mar 22 2008

Flo Rida Biography

2008-02-06T20:34:00.001-08:00

Discovering new talent is often a daunting task; however, when the formula is complete, all parts, synergetic, the sky is the limit. With a noted machine behind him, coupled with his distinct originality, Flo Rida has captured the attention of many while simultaneously making a significant impact early in the game.

Flo Rida has already garnered more accolades than most artists see in their entire career. Months before his Poe Boy/Atlantic Records debut, “MAIL ON SUNDAY,” is even released, his explosive first single, “Low,” has shot to the top of nearly every chart—Top 40 radio, Billboard’s Hot 100 chart and Hot RingMasters chart, Soundscan’s Digital Song chart, iTunes, Napster, Rhapsody, MySpace, MTV’s TRL, BET’s 106 & Park. And this is only the beginning!

Born the youngest boy amongst seven girls, the 28-year-old Carol City, FL native (born Tramar Dillard) learned the value of patience at a young age. Although his parents split when he was young, Flo’s father, a multi-talented musician, inspired his son to express himself through music. Several of his sisters also formed a local gospel group. But tragedy struck when one of his sisters died from complications due to bronchitis. “When my sister passed away, I woke up and realized what I had to do,” says Flo Rida. “I was the only boy of seven siblings, all sisters, and growing up without my father. I realized that I needed to make the most of my time on earth. I want to utilize all of my God-given talents and give back in a way that others can benefit. My mother is so strong and I always admired her for her strength and showing me that by sacrifice and being level-headed that anything is possible.”

When Flo was in ninth grade, he began rapping with a group called the Groundhoggz. To this day, he still considers himself part of the group. As to the group’s name, Flo Rida says, “Without being grounded, you have nothing to stand on. Nothing lasts long if you don’t start from the ground up.”

The Groundhoggz found local success in the late ’90s, selling mixtapes and opening shows for rappers including Scarface. Hoping to spread his group’s name past his hometown, Flo Rida received an offer he couldn’t turn down. Flo Rida’s brother-in-law had been the hype man for Luke Skywalker of 2 Live Crew. At age 18, Flo Rida became the hype man for Fresh Kid Ice of 2 Live Crew and quickly set out on a nationwide tour.

While gaining significant exposure across the country, Flo Rida caught the attention of DeVante Swing, formerly of the famed R&B group Jodeci. “After I got off tour [with Fresh Kid Ice], I got the chance to pass my demo to DeVante,” says Flo Rida. “He heard it and wanted to fly me out to Los Angeles that day. I ended up flying out the next day, and stayed in L.A. for three years.”

But even under DeVante’s wing, Flo Rida struggled to make his mark in Los Angeles. “I was literally on the streets, at times promoting myself by myself,” says Flo Rida. “I always had the drive to push my own music. People tend to help you more when they see that you promote yourself. They know you’re serious then.”

In early 2006, hesitant to leave Los Angeles until he had successfully landed a record deal, Flo Rida decided to return to Miami after having received calls from Poe Boy Entertainment’s CEO E-Class. Flo Rida had known E-Class for sometime, thanks to one of his sisters. E-Class had Flo Rida’s demo and had begun to create buzz in the South. Soon after his return, Flo Rida signed with Poe Boy Entertainment and just months later signed with Atlantic. “That was the greatest moment of my life,” Flo Rida recalls. “I had been working so hard for so long. I had jobs in construction, I worked in warehouses, I’m talking about some of the bummiest jobs. But those were all the sacrifices I made by putting my money towards my music, and it finally paid off.”

For the next year, Flo Rida worked diligently on his debut album, “MAIL ON SUNDAY,” which will be released on Poe Boy/Atlantic March 18, 2008. Flo Rida enlisted the production prowess of well-known hit makers like Timbaland, The Runners and J.R. Rotem. He’s also recruited a who’s who of A-list collaborators like Lil’ Wayne, who appears on the street savvy “Guns And Roses,” Yung Joc, who is featured on the raucous party anthem “Furniture,” where the two rappers trade verses about tearing up the club, and Timbaland, who shows up on Flo Rida’s second single, “Elevator.”

On the cut “Showin’ Love,” Flo Rida shows a different side of his rap persona by crafting an introspective song that pays homage to the friends who he trusted most in his life and those who are no longer around to share all of his recent success. “All My Life” is another track that digs deeper into Flo Rida’s psyche as he describes the passing of his sister. “My sister was a great inspiration to my situation because I know she loved and now I don’t get a chance to see her cause she’s gone,” he says. “I felt like me not having a choice when I’m going to leave, that I have to take advantage of every day so I make sure to give 100 percent towards my music.”

With a highly successful start, Flo Rida has already had a major impact on the mainstream in 2008. “I approach music from a universal level and not just a neighborhood feel,” he explains. “I always try and come from the left field, but still stay somewhere where everyone can relate.”

2/08

Atlantic Recording Corporation

1290 Avenue of the Americas New York, NY 10104

http://www.atlanticrecords.com

Fly Tracks On-Line!

2008-02-06T20:00:00.000-08:00

The Fly Tracks Crew is dominating music and entertainment promotions in the streets... Now we are taking over the on-line game! Check back for updates including articles, news, videos, pictures and interviews for the hottest up and coming entertainment and promotions group in the nation!

The Fly Tracks Street Team handles nearly all of the major accounts for the New Orleans area and beyond, from Atlantic Records to Cashmere (Snoop Dog's promotions) to Paper Chasing Organization, Bad Boy and beyond. We work closeley with the biggest venues, radio stations and publications to make sure our artists and clients are getting the most out of their pomo campaigns. If your company or label is looking for outside consulting or promotional help in New Orleans, Atlanta, L.A. or New York, look no further.

Fly Tracks has built up a solid team of enthusiastic promoters and artists who are committed to working together with a common goal: taking over the music and entertainment industry for the next generation and beyond. Founder and C.E.O., James Butler (a.k.a. Young Mook) has joined forces with New Orleans based promoter and producer, Ben Brubaker, in order to establish their brand of promotions as one of the premier marketing and promotions firms in the South and accross the country.

Stay tuned for updates, news, events, interviews and more!